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The
Downtown Writers Network is a resource for independent writers in central
Ohio.
Located in Columbus, we provide services to freelancers,
businesses that use freelance talent, and all creative writers in the dynamic
mid-Ohio market. |
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WCBE, and the Best Radio on
Radio
The
steps that the people from WCBE have taken to serve its literate audience make
it one of the best things about Columbus. If you're a writer but not a listener
to WCBE, here's a bit of what you're missing:
Fresh Air with Terry Gross (Weekdays, 3:00 - 4:00 p.m.)
Terry Gross is widely regarded as the best interviewer at work today.
The quality of her guest list is an indication of her talents. Whether they're
writers, politicians, entertainers, athletes or other news-makers, the quality
of her guest list is an indication of her talent.
In the past few
months on "Fresh Air," Gross has delved into the minds and works of novelists
David Leavitt (Martin Bauman; or a Sure Thing), Armistead Maupin (The
Night Listener), and Jeffrey Eugenides (The Virgin Suicides), among
others. She's discussed the art of the memoir with Martin Amis (Experience:
A Memoir), Mary Karr (Cherry, a chronicle of adolescence and sex),
Andre Aciman (Out of Egypt, about his Jewish family's long residence in
Alexandria) and Jim Knipfel (Quitting the Nairobi Trio, concerning his
experiences as a patient in a psychiatric ward).
During the summer she
interviewed Joyce Johnson (Door Wide Open: A Beat Love Affair in
Letters) concerning her affair with Jack Kerouac. She spoke with Russell
Ferguson about poet Frank O'Hara and, during the same program, with David
Lehman about the New York School of Poets. In one of her most interesting
segments, she interviewed Spiderman creator Stan Lee about the creative process
and the subtleties of characterization and plot involved in writing for comic
books.
| Every "This
American Life" program constitutes a lesson in narrative and
language. |
This American Life (Saturdays, 2:00 - 3:00 p.m., and
Wednesdays, 7:00 - 8:00 p.m.)
"This American Life" enjoys the kind of
cult following that makes it necessary to broadcast twice during the week. The
premise is intriguing. Host Ira Glass chooses a general theme for the week,
such as "Something for Nothing" or "Urban Nature," and invites writers to
contribute creative pieces about it. Most of the stories are non-fiction,
though an occasional short story turns up in the mix.
The results are
by turn hilarious, thought-provoking, gripping, or touching. In one show with
the theme of "Poultry," for example, writer and food critic Jonathan Gold of
Gourmet magazine told about how he unintentionally adopted a chicken and was
forced to re-examine cuisine from a new perspective because of it. In "Where
Words Fail," reporter Mark Arax told about investigating the unsolved murder of
his father in his hometown. The experience made him realize that the stories we
fashion to explain our lives are always inadequate.
Every broadcast of
"This American Life" features four or five different stories, each unique, and
each told in the voice and style of its writer. For writers, every one of them
constitutes a lesson in narrative and language.
| This is both
radio and writing at their best -- a classic concept that works well at any
time of day. |
Selected Shorts (Sundays, 7:00 - 8:00 a.m.)
Imagine
Jane Alexander reading a story by Dorothy Parker, Jerry Orbach reading Josip
Novakovich, William Hurt reading Richard Ford, Estelle Parsons reading Flannery
O'Connor, or even Barbara Feldon reading a tale by Langston Hughes.
If you're willing to get up early enough on Sunday, you can hear
great voices reading great short stories in taped performances from Symphony
Space in New York.
"Selected Shorts" offers performances of the
stories, rather than radio dramatizations of them. The experience is closer to
the printed page than you'll find on any other of WCBE's programs. For the most
part, the performers have chosen the stories themselves from authors they like,
and reading to the response of a live audience in the New York theater adds a
spontaneous life to their performances.
This is both radio and writing
at their best -- a classic concept that works well at any time of day. With a
cup of fresh coffee, it makes an especially good beginning to a writer's Sunday
work.
Next: Radio, Theater of the Mind
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